Thanks for posting this, Zach; such a delight.I love the contrast between the lyrical and reflective opening with Lester and the raucous polyphonic burst of an ending with Illinois Jacquet (interestingly, a style of "noisy" playing Lester himself often professed to dislike...)
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Thanks for posting this, Zach; such a delight.
I love the contrast between the lyrical and reflective opening with Lester and the raucous polyphonic burst of an ending with Illinois Jacquet (interestingly, a style of "noisy" playing Lester himself often professed to dislike...)
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