It's probably best to preface any pithy commentary on Jean-Claude Carrière's
The Nail Clippers with a link to David Cairns' own pitch-perfect (and pithy)
write-up on the same, a few years back. What I like about this film, in addition to the obvious pleasures of its
Phantom of Liberty-style, vignette surrealism, is the spareness of space - the soundtrack picking up the emptiness behind a closet door or an empty drawer.
No comments:
Post a Comment