It's well-known that Frank Tashlin's career started in cartoons. This beginning is often thought (not wrongly) to have affected the way he treated his live-action images as plastic, pliable, either immaterial or too material. The more I see or revisit Tashlin the more impressed I am at the ways in which the content and feel of his films actively engages with the borders and institutionalized ancillaries of (certain definitions of) cinema - animation, television, advertising, performance ...
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Don’t forget the things you once you owned. Treasure the things youcan’t get. Don't give up the things that belong to you and keep thoselost things in memory
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