"Educated people--who are never entirely absent--have taken offense at the emergence of the Tiller Girls and the stadium images. They judge anything that entertains the crowd to be a distraction of that crowd. But despite what they think, the aesthetic pleasure gained from ornamental mass movements is legitimate. Such movements are in fact among the rare creations of the age that bestow form upon a given material. The masses organized in these movements come from offices and factories; the formal principle according to which they are molded determines them in reality as well. When significant components of reality become invisible in our world, art must make do with what is left, for an aesthetic presentation is all the more real the less it dispenses with the reality outside the aesthetic sphere. No matter how low one gauges the value of the mass ornament, its degree of reality is still higher than that of artistic productions which cultivate outdated noble sentiments in obsolete forms--even if it means nothing more than that."
--Siegfried Kracauer, "The Mass Ornament"
"In this material world run on injustice and terror, where "popular" is confused with "industrial," any cultural expression that does not hurl an angry cry or wail a song of mad love (often one and the same) merely collaborates in the regulation and preservation of this world."
-- Nicole Brenez, pp. 1-2, Abel Ferrara